Johnson has distilled the essence of the text and the tradition into an unforgettably intense evocation of the Crucifixion as relived in the music of the churches he knew in his youth. 5. “It’s the Girl,” The Boswell Sisters with the Dorsey Brothers Orchestra (1931) The Boswell Sisters—Connie, Martha and Vet—produced vocal harmonies that were magical. While polished, their creamy blend revealed their New Orleans roots with its relentless swing and deep feeling for the blues. “It’s the Girl,” a popular song of 1931, is given a classic Boswell treatment: rhythmic variations on the original song, perfect diction projected with relaxed ease and a fast tempo—with sudden tempo and mood changes—and a sprint to the end.
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